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imajerk

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  1. The OA is D. It really challenges my ability to understand the 'but' before 'the philosophers had always assumed art must be controlled by intellect power'. From my comprehension,I am with mantrapad that the philosophers' view are contrary to the Romantics'.
  2. Please tell me your answer along with explanation. ================================================ The belief that art originates in intuitive rather than rational faculties was worked out historically and philosophically in the somewhat wearisome volumes of Benedetto Croce, who is usually considered the originator of a new aesthetic. Croce was, in fact, express- ing a very old idea. Long before the Romantics stressed intuition and self-expression, the frenzy of inspiration was regarded as fundamental to art, but philosophers had always assumed it must be controlled by law and by the intellectual power of putting things into harmonious order. This general philosophic concept of art was supported by technical necessities. It was necessary to master certain laws and to use intellect in order to build Gothic cathedrals, or set up the stained glass windows of Chartres. When this bracing element of craftsmanship ceased to dominate artists' outlook, new technical elements had to be adopted to maintain the intellectual element in art. Such were linear perspective and anatomy. The passage supplies information for answering which of the following questions?   (A) Does Romantic art exhibit the triumph of intuition over intellect?   (B) Did an emphasis on linear perspective and anatomy dominate Romantic art?   © Are the intellectual and intuitive faculties harmoniously balanced in post-Romantic art?   (D) Are the effects of the rational control of artistic inspiration evident in the great works of pre-Romantic eras?   (E) Was the artistic craftsmanship displayed in Gothic cathedrals also an element in paintings of this period?
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